Timo Andres

Composer, singer, and visual artist, Cécile McLorin Salvant, is passionate about storytelling and exploring connections between vaudeville, blues, folk traditions, theater, jazz, and baroque music. An eclectic curator, unearthing rarely recorded, forgotten songs with strong narratives, power dynamics, twists, and humor once described as “a unique voice supported by an intelligence and full-fledged musicality, which light up every note she sings” by the late, great Jessye Norman. She won the Thelonious Monk competition in 2010 and received Grammy Awards for three consecutive albums: “The Window,” “Dreams and Daggers,” and “For One To Love.” In 2020, she received the MacArthur fellowship and Doris Duke Artist Award. Her debut and follow up Nonesuch Records projects, “Ghost Song” (2022) and “Mélusine” (2023), each received two Grammy nominations. Salvant’s latest work, “Ogresse”, arranged by Darcy James Argue, is a musical fable in the form of a cantata that blends several styles of composition resulting in an expansive sonic landscape.

Timo Andres is a composer and pianist who grew up in rural Connecticut and lives in Brooklyn, NY. Recent highlights have included a solo recital debut for Carnegie Hall and the world premiere of a piano concerto for Aaron Diehl at the Los Angeles Philharmonic, led by John Adams. Andres’s orchestrations and arrangements for Justin Peck’s 2024 production of Sufjan Stevens’s Illinoise completed an acclaimed limited run on Broadway at the St. James Theater following sold-out runs at The Fisher Center at Bard, the Chicago Shakespeare Theater, and at New York City’s Park Avenue Armory. For his work on the production, Andres was nominated for 2024 Tony Award for Best Orchestrations. In 24–25, Timo Andres performs at Stanford Live with Conor Hanick, and at the Phillips Collection with Aaron Diehl. He also reunites with the Calder Quartet to perform his new piano quintet The Great Span in New York City for the People’s Symphony.
Andres continues with performances of Philip Glass’s Piano Etudes internationally; he is a trusted collaborator of Philip Glass, serving as advisor and editor of a 2023 edition of the Etudes published by Artisan. Andres performed these works last season at Lincoln Center, the Chicago Humanities Festival, the Music Academy of the West, for NPR’s Tiny Desk Concerts, and elsewhere. Notable works include Everything Happens So Much for the Boston Symphony; Strong Language for the Takács Quartet, commissioned by Carnegie Hall and the Shriver Hall Concert Series; Steady Hand, a two-piano concerto commissioned by the Britten Sinfonia premiered at the Barbican by Andres and David Kaplan; and The Blind Banister, a concerto for Jonathan Biss, which was a 2016 Pulitzer Prize Finalist.
As a pianist, Timo Andres has appeared with the LA Phil, North Carolina Symphony, the Albany Symphony, the New World Symphony, the Metropolis Ensemble, among others. He has performed solo recitals for Lincoln Center, and Wigmore Hall. Timo’s collaborators include Becca Stevens, Jeffrey Kahane, Gabriel Kahane, Brad Mehldau, Nadia Sirota, and—of course—Philip Glass, who selected Andres as the recipient of the City of Toronto Glenn Gould Protégé Prize. He was nominated for a Grammy award for his performances on 2021’s The Arching Path, an album of music by Christopher Cerrone. Andres’s collaborations with Sufjan Stevens also include his May 2023 recording with Conor Hanick of Stevens’s latest album, Reflections; arrangements of ballets for New York City Ballet, and a solo piano album, The Decalogue.