The epic myth of Oedipus is reborn as a Pentecostal ritual that remakes prophecy as testimony and brokenness as transcendence.
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The epic myth of Oedipus is reborn as a Pentecostal ritual that remakes prophecy as testimony and brokenness as transcendence.
Standing On The Corner curates and convenes his second annual Bomba Festival on Little Island.
The epic myth of Oedipus is reborn as a Pentecostal ritual that remakes prophecy as testimony and brokenness as transcendence.
Standing On The Corner curates and convenes his second annual Bomba Festival on Little Island.
The epic myth of Oedipus is reborn as a Pentecostal ritual that remakes prophecy as testimony and brokenness as transcendence.
The epic myth of Oedipus is reborn as a Pentecostal ritual that remakes prophecy as testimony and brokenness as transcendence.
The epic myth of Oedipus is reborn as a Pentecostal ritual that remakes prophecy as testimony and brokenness as transcendence.
The epic myth of Oedipus is reborn as a Pentecostal ritual that remakes prophecy as testimony and brokenness as transcendence.
Vanisha Gold performs.
The epic myth of Oedipus is reborn as a Pentecostal ritual that remakes prophecy as testimony and brokenness as transcendence.
Brandon Patrick George is a GRAMMY-winning flutist whose repertoire extends from the Baroque era to today. He is the flutist of Imani Winds and has appeared as a soloist with the Atlanta, Baltimore, and Albany symphonies, American Composers Orchestra, and the Orchestra of St. Luke’s, among others. Brandon has performed at the Elbphilharmonie, the Kennedy… Continue reading Brandon Patrick George