About this Performance
Begins at 5:30 pm throughout the Island and moves to The Amph at 8:30pm for a ticketed performance that can be heard throughout the island at 8:30 pm, followed by a DJ set with special guests from 10:30 until park closure.
Curated by: Thomas Bartlett
The music of multi-hyphenate icon Arthur Russell echoes throughout the Island in a marathon event curated by Thomas Bartlett, embracing the full breadth of Russell’s work from art-pop to folk to disco, and crescendoing in this headline performance by a starry array of artists exemplifying Russell’s groundbreaking, genre-bending legacy.
Performers: Zoh Amba, Sam Amidon, Laurie Anderson, Thomas Barlett, Hannah Cohen, Elysian Fields, Peter Gordon, Ella Hunt, DM Stith, Martha Wainwright, and more to be announced
Stay Out Late
After Arthur Russell, stay after the show for a nightcap. The Play Ground, our open-air plaza, stays open until 11pm with local wine, beer, cocktails, non-alcoholic options, and snacks—set against skyline views and summer greenery.
Creative Credits
Arthur Russell
MusicArthur Russell (1951 – 1992) was a cellist, vocalist and composer known for his fusion of classical and popular music. Originally from Oskaloosa, Iowa, Arthur traveled to the west coast in 1970 joining a Buddhist commune and studying Indian classical composition at the Ali Akbar Khan College in Marin County. In 1971 Arthur met and performed with Allen Ginsberg who brought him to New York for a recording session produced by John Hammond that also included Bob Dylan, Perry Robinson, and Happy Traum. Arthur moved to New York in 1973 to study at the Manhattan School of Music. Quickly gravitating to the then burgeoning downtown music scene, Arthur wrote and performed his minimal compositions, including the bubblegum pop inspired “Instrumentals”, and was music director at the Kitchen in 1974, along with recording his own pop songs for John Hammond. Throughout his life Arthur collaborated with a who’s who of some of New York’s most influential artists including Christian Wolf, John Cage, Peter Gordon, Peter Zummo, Ernie Brooks, Jon Gibson, Mustafa Ahmed, Rhys Chatham, Jill Kroesen, David Byrne, Laurie Anderson, Larry Levan, Phillip Glass, Robert Wilson, Julius Eastman, Arnold Dreyblatt, Walter Gibbons and Phill Niblock. Russell’s music shifted dramatically in 1977 after an unexpected visit to a disco. Inspired by the sonic repetition and sense of community, Arthur wrote and recorded some of the most influential records of the disco era including “Kiss Me Again,” “Is It All Over My Face,” and “Go Bang”. By 1984 Arthur began stretching the boundaries of disco and composition, becoming entranced with echo, and its use in his own songwriting. The completed album, World of Echo combined Arthur’s rich composition skills with echo, feedback, voice and cello, and remains one the most influential documents of the era as a work of timeless beauty. When Arthur Russell died from complications due to AIDS in 1992, he left an overwhelming archive of unreleased material that has since been rereleased and compiled by Audika Records in association with Arthur’s partner Tom Lee. As a cellist, songwriter, composer, and disco visionary, Arthur Russell consistently challenged our expectations of what pop music could be.
Thomas Bartlett
CuratorThomas Bartlett, also known as Doveman, is an American pianist, producer, and singer. He has released four solo albums as Doveman, four albums as a member of The Gloaming, duo albums with the composer Nico Muhly and the hardanger d’amore player Caoimhín Ó Raghallaigh, and “Shelter,” an album of solo piano compositions. As a producer, Bartlett has worked with a range of notable artists, including Yoko Ono, St. Vincent, Norah Jones, and many others. “Mystery of Love,” a collaboration with Sufjan Stevens for the soundtrack to Call Me by Your Name, was nominated for an Academy Award for Best Original Song, and a Grammy Award for Best Song Written for Visual Media. Bebel Gilberto’s “Agora,” produced, engineered and mixed by Bartlett, was nominated for Best Global Music Album at the 2021 Grammys, and he also contributed to Taylor Swift’s “evermore,” and Rufus Wainwright’s “Unfollow the Rules,” both nominated that year. Since 2018, Bartlett has worked closely with Florence Welch on a musical adaptation of The Great Gatsby.
David Schnirman
Sound DesignBio to come.